A couple of things have been Floating On the airwaves here at the Daily Wenzel the last few weeks, not least of which have been Arcade Fire's Funeral, or Modest Mouse's Good News For People Who Like Bad News, as well their respective singles as we gear up for the new albums. Blonde Redhead's 2004 release, the hauntingly beautiful, yet surprisingly fragile (for a former Touch & Go band) Misery is a Butterfly has perhaps been getting the most play.
In between, Chumbawamba's latest polemic, A Singsong and a Scrap, a collection of pro-worker songs of resistance and rebellion, including the Clash' "Bankrobber", has been finding it's own airspace as well. With all the songs being performed either a capella, or acoustically, the band seems to have completed its metamorphosis from piss and vinegar youthful punks, to thoughtful rootsy hippies. Also making the office charts are two new K7! albums, Appendix, a collection of solid, yet somewhat dissonant remixes from Funkstorung, and the one that we're quite interested in, as it seems a return to more organic, rock-based samples, Joakim's Monster's and Silly Songs.
To be fair, Blood Stained Love Story, from Saliva, a Memphis-based Creed/Nickelback band with serious adult contemporary religious rock tendencies got one play in the office, but has not been back since.
Wednesday, February 28, 2007
Music Update
Labels:
arcade fire,
blonde redhead,
chumbawamba,
funkstorung,
joakim,
modest mouse,
the clash
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