Saturday, December 06, 2008

Sean Avery, we thank you, really

Yes we agree that the above title requires a lot of explanation, but it's true. If Sean Avery of the Dallas Stars had not spoken so poorly last week while the team was in Calgary we never would have had the chance to talk about what he reportedly said, something that ended up catching us offguard. According to Avery, he was simply trying to stoke a little hype and emotion about the game since Calgary defenseman Dion Phaneuf is dating Avery's ex-girlfriend Elisha Cuthbert and referred to Cuthbert as "my sloppy seconds". This created an immmediate sensation, especially among the NHL's older guard. What became evident though, is that while everyone seems to agree that the term is innappropiate and extremely disrepectful to Cuthbert, there is some argument as to how disrespectful it actually is because, as it turns out, the meaning of the term has slowly changed over the last few decades.

That langauge changes and slowly evolves is nothing new, but that we can hear this happening as a generational argument is rare. For example, Avery's use of "my" implies that "sloppy seconds" is a noun, objectifing Cuthbert and putting her on a level with last night's dinner leftovers. A lot of our younger friends are in agreement with this kind of usuage for the term - not that he was right to use it, but rather that he used it in the correct manner. However, for many of older friends, say 50+, the term is much more explict, describing an action. Thus, it would be wrong to say "he can have my sloppy seconds" just as it would be wrong to say "he can have my ménage a trois", and in fact this term is a little closer to the idea held by older speakers, although ménage a trois implies a sort of consensual character that is absent from sloppy seconds, though to call it gang rape might take it too far, but not necessarily.

Our conversation quickly turned from Avery to another derisive turn who's definition has dramatically changed over the last forty years ago: punk. Prior to the establishment of Legs McNeil's magazine Punk, the term described, as Williams S. Burroughs poetically put it, "the boys who gave their asses to the wolves". It was always something of a msytery to us how the term went from describing gay prostitutes to rowdy musicians, but Sean Avery's comments led us to reconsider the impact that the infamous 1969 Stonewall Riots had on the emerging punk scene. The raids on gay bath houses and subsequent marches are typically seen as the jumping off point of Gay Rights, and it would be hard to imagine that as Greenwich Village was the locus for much of this activity, as well as for what would become punk, that the two crowds did not mix, nor that media-savy types like Legs McNeil would not notice the press the gay crowds were garnering.

We think, and largely because of Sean Avery, that the time is ripe for a critical re-evaluation of gay culture on early punk. 

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