The new Okkervil River, The Stand-Ins, has been on steady play lately, despite it's unexpected polish. The album art makes us think mid-period Social Distortion, but the song-writing belies a much stronger pop sensibility.
The Streets, Everything Is Borrowed, is causing something of a stir, as half the office is finding it a brilliant mixture of self-awareness and retro-style beats. The other half claims it as sappy platitudes over cheesy muzak. Bring on the cage match.
Surprisingly, Sloan's Parallel Play has only managed to get on air twice, as it's polished pop seems somewhat less so when stacked next to Okkervil River.
Or, perhaps it's because certain elements have fallen in love with the Minutemen and Gang of Four again and are holding our radios hostage.
There are worse things that could happen, we suppose.
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